Showing posts with label Traditional Publishing Stories. Show all posts

Suzanne Hartmann's Journey to Publication  

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AUTHOR BIO
            Suzanne Hartmann is a homeschool mom of three and lives in the St. Louis area. When not homeschooling or writing, she enjoys scrapbooking, reading, and Bible study. PERIL: Fast Track Thriller Bk. #1 is her debut novel.
            On the editorial side, Suzanne is a contributing editor with Port Yonder Press and operates the Write This Way Critique Service. She has also written an e-book on the craft of writing, Write This Way: Take Your Writing to a New Level



JOURNEY TO PUBLICATION

While most authors write for years before they decide to get serious and seek publication, my journey began with a nudge from God to write out the stories I’d entertained myself with while I sat through my kids' violin and piano lessons and baseball and soccer practice. After questioning whether I could be having a premature mid-life crisis, followed by much prayer, I realized God was calling me to write.

So in spite of the fact that I had very little experience writing fiction (my training was mostly non-fiction), I dove into research about NASCAR, then set out to weave my stories into a novel. Once I began writing, it almost became an obsession to get all of the stories from my head into the computer—what I call a brain-dump. That became the narrative outline I followed to write the story. Essentially, it was a series of main plot points I needed to thread together. I thought of it like a dot-to-dot. The main plot points were the dots and as I wrote, I created with the lines that lead from one dot to the next.

After I finished writing the first draft, I had SO much to learn, but God was faithful and led me to some Christian writing forums, and from there to an awesome critique group (when I hadn’t even heard of such a thing even a week earlier). After spending five months doing a major revision under the guidance of my new critique partners, I felt I had polished “my baby” enough to send it out to agents.

Four months—and many rejections later—I found myself dejected and bordering on bitter. Thankfully, God sent me a wake-up call through a Bible study I had just started, and I realized I had taken my eyes off Him. Instead, I began looking to people in the publishing industry to tell me what I needed to do to improve my manuscript. Once I confessed, then turned my eyes back to God, He immediately sent two rejection letters with some hints at what I needed to do.

That led to another round of major revising and cutting the wordcount from 117,000 to 89,000 (yes, I actually cut out about 25% of the story). After that came another round of query letters and rejections. This time, however, I felt like God was leading me to wait. It was hard, but I did. Eventually, “out of the blue,” a friend offered to send a referral to her agent, Terry Burns. Although he initially rejected my manuscript, he said I could revise the first few chapters and resubmit. That was the key. He loved the new opening and offered me a contract!

It took another year and a half of waiting before OakTara offered a contract. This time the waiting was even harder because I wasn’t the only one (or even the main one) making the decisions regarding who to query. I had to put my faith in the agent God had led me to.

It feels like it’s been a long journey, but to go from never having written a novel to publication in five years, is relatively short for the publishing industry. Thankfully, God didn’t let me know at the beginning how far out of my comfort zone He was going lead me. But throughout the process, He has been faithful to lead me where I needed to go, has encouraged me when I thought I couldn’t go on, and continues to equip me as I now venture into the marketing aspect of the publishing industry.

Here’s a little about the book God nudged me to write. I pray that readers not only enjoy a good read, but will pick up on the themes of honesty and the importance of following God even when where He’s leading doesn’t make sense by human terms.

PERIL: A Fast Track Thriller:
A top-secret agent.
A high-profile assignment.
Danger at a NASCAR track.
A top secret agent with enhanced strength must use her extraordinary abilities during several high-profile assignments, from the White House to NASCAR tracks, while escorting the first Muslim king to convert to Christianity. When unwanted publicity and the attention of a NASCAR champion threatens to expose her secrets, she becomes a terrorist target with danger surrounding her on all sides.
 “Plenty of action and unexpected twists.”
Foreword by Jimmy Makar, GM of Joe Gibbs Racing



You can find Suzanne on-line at:
My Website – FastTrackThrillers 
My Blog - Write This Way
Twitter - @SuzInIL 

 

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In 1946, a few days before my sixth birthday, I landed in Stanleyville, The Belgian Congo. I remember the palm trees flying by as our old propeller plane taxied down the dirt runway. We stepped out into muggy heat as we crossed to the terminal.

From that day, Africa has been my second home – as dear to me as my birth home in Oregon, U.S.A. As I grew up, my one desire was to “go back home” to Africa.

Our mother taught me first and second grade. Then I went to Rethy Academy, 350 miles and 10 hours’ drive from my parents. I began to learn to think for myself, to be independent and to rely on my heavenly Father.

I especially remember one moonlit night, lying on my back in my dorm room’s top bunk. Loneliness crushed my heart until I could hardly breathe. I’m alone – all, all alone! Just then a jackal began to howl not far away, and I wanted to howl with him. Tears trickled into my ears and I clapped my pillow over my head to stifle the sobs that shook my slight frame. I didn’t want the other girls in the room to hear me crying, and think I was a baby. In the stuffy darkness under the pillow, with even the moonlight cut off, God spoke to my heart as clearly as if His voice had been audible: “I’m here. You’re not alone – I am here!”

Throughout my life, God has been “here” for me. In the ups and downs, in the thick and thin, in the joys and sorrows, He has been the Solid Rock to which I’ve clung. I learned this lesson early in life because I had to be away from my parents at such a young age. God is WITH me and will help me through any issue that I face.

Kondi lives in Malawi, East Africa. She will show you much about her culture and the African way of life. Kondi is the composite of a number of Malawian girls I knew. She has poignant, tragic and funny experiences. She’s artistic, smart and loving. She’s also afraid.

Will this same promise also hold true for Kondi in Kondi’s Quest? Will God be close to her in all her troubles and her efforts to please God and her earthly father? Will she learn that living for God means He is with her – even when He seems to be distant?

It is my prayer that Kondi’s story will touch the hearts of pre-teens around the world and help them know God loves them and that they will experience His presence when they are most vulnerable and in difficult circumstances.








Sylvia Stewart, long time missionary, now resides in Oregon with her husband and cute little Papillon, Viva. She is working on a sequel to Kondi's story. You can read more about her on her website: http://www.sylvia-stewart.com.

Find Kondi's Quest on: Amazon,  Barnes&Noble, & Christian Book

Pam Hillman ~ How Her Novella Stealing Jake Became a Full Length Book  

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When Livy O'Brien spies a young boy jostling a man walking along the boardwalk, she recognizes the act for what it is. After all, she used to be known as Light-fingered Livy. But that was before she put her past behind her and moved to the growing town of Chestnut, Illinois, where she's helping to run an orphanage. Now she'll do almost anything to protect the street kids like herself.

Sheriff's deputy Jake Russell had no idea what he was in for when he ran into Livy--literally--while chasing down a pickpocket. With a rash of robberies and a growing number of street kids in town--as well as a loan on the family farm that needs to be paid off--Jake doesn't have time to pursue a girl. Still, he can't seem to get Livy out of his mind. He wants to get to know her better . . . but Livy isn't willing to trust any man, especially not a lawman.

Interwoven throughout is a group of street kids arrested in Chicago and sold as child labor. Leading this band of ragamuffins is young Luke, a scared, determined orphan intent on rescuing his little brother at any cost.

Jake and Livy’s story started out as a novella proposal for Tyndale House Publishers several years ago, but didn’t make the cut. In hindsight, I think we can all agree that this was a good thing! I liked the premise so much that I revised it, working with the story until I had a full-length novel.

As a novella, Stealing Jake was a light-hearted love story of a former pickpocket and sheriff’s deputy sparring with (and against!) each other and ultimately falling in love. But as I built it into a full-length novel, it evolved into so much more. The gritty world of coal mining worked its way into Jake’s past, and the even grittier world of street kids in the late 1800’s into Livy’s traumatic past. And along the way, a kid named Luke took hold of my heart and wouldn’t let go.

The manuscript garnered several awards, and the attention of a few editors, but something was lacking. I knew what it was: Luke’s story. But I was afraid I couldn’t weave scenes in from his point-of-view in seamlessly. But his story, and that of his friends, demanded to be told. Finally, one night at the ACFW conference in 2008, romantic suspense author Robin Caroll helped me brainstorm ways to weave Luke into the story. I think she (Robin) was tired of hearing me gripe about it!

I loved the results, and the revised version went on to final in the 2011 RWA Golden Heart contest before being contracted by Tyndale House as one of the launch books for their Digital First Initiative program.

To celebrate the release of Stealing Jake, I’m giving away a Kindle. Deadline to enter the contest is September 30th. Go to my website for more information.

You can read more about the book on Amazon or CBD.

Award-winning author Pam Hillman writes inspirational fiction set in the turbulent times of the American West and the Gilded Age. Her debut book, Stealing Jake, won the American Christian Fiction Writer’s Genesis contest and was a finalist in Romance Writers of America’s prestigious Golden Heart contest. She lives in Mississippi with her husband and family.


Connect with Pam on the web:

Preparing My Heart for Grandparenting By Lydia E. Harris  

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“Some day I’m going to write a book,” I joked with my children.

“About what?” my daughter asked, raising her eyebrows.

“I don’t know. Something from my life. God will show me.”

Years later, with the children out of the nest and time to fill, I sensed God’s nudge. “It’s time to write, Lydia.”

Now? Start something new in my fifties? Doubts surfaced, and I feared rejection. I had no formal training to write for publication. With a degree in home economics, I crafted casseroles, not stories!

After arguing with God and wondering if I had heard right, I finally accepted His call to write and began to equip myself. I joined critique groups and writers’ organizations. I read books and magazines on writing. I took a correspondence course and attended writers’ conferences.

At my first conference, the director suggested, “Start with book reviews, devotionals, or Sunday school take-home papers.” I followed her advice and began with book reviews. Writing reviews honed my skills, forced me to write tight, and gave me the perk of free books. I reslanted many of my reviews and sold them as reprints. In eighteen months, I accumulated over 100 bylines.

Soon, I branched out and wrote devotionals for a Mennonite quarterly. I also started writing a tea column, “A Cup of Tea with Lydia,” featured in The Country Register. To my delight, the column picked up steam and now reaches nearly three-quarters of a million readers in the U.S. and Canada.

I also contributed stories and articles to 15 books, including: The Write Start; For Better, For Worse; Stories for the Kindred Heart; The Power of Prayer; All is Calm, All is Bright; Christmas Wonderland; Blessed Among Women; Guideposts Extraordinary Answers to Prayer, and others.

I sensed God’s affirmation as I ventured into each new writing genre. He confirmed many times that it’s never too late to begin writing.

From the start, writers’ conferences proved essential for growth and networking with authors, editors, publishers, and agents. Each conference provided new friendships and writing opportunities. But conferences were expensive. To defray costs, I applied to teach. I’ve taught workshops on how to break into print with book reviews, how to write columns, how to get started as a writer, how to write during adversity, and others. My favorite class, “Empower Your Writing Through Prayer,” emphasizes that prayer needs to be the backbone of our writing. Although we can write words, only God can touch hearts through our words.

In 2002, I faced an unexpected crisis—a diagnosis of incurable cancer. Did this mean I was through writing? With ongoing health challenges and numerous medical appointments, I often didn’t feel like continuing. But God provided strength to write tea columns, devotionals, and a book proposal, one day at a time. I also marketed numerous reprints. To my surprise, I won a writing contest for the most submissions in a year. Writing distracted me from my illness and gave me a sense of accomplishment when I felt too sick to leave home. God’s faithfulness and comfort during trials inspired me to write articles and devotionals for others facing serious illnesses. And He continues to sustain my life.

But what about my desire to write a book? Psalm 37:4 (NIV), my lifetime verse says, “Delight yourself in the Lord and he will give you the desires of your heart.” I determined to focus on my responsibility: to delight myself in the Lord, knowing God would give me the desires of my heart—in His time.

After a dozen years of writing, it was God’s time for me to write a book. Spring 2009, I signed a contract with AMG Publishers for Preparing My Heart for Grandparenting: For Grandparents at Any Stage of the Journey. I had already spent months researching the topic in the Bible and other books and had interviewed dozens of grandparents. Writing a Bible study was a new genre for me, but I claimed Joshua 1:9 to “be strong and courageous” and moved forward. I knew writing this Bible study was a God-sized project and enlisted weekly prayer support. In 36 weeks, I wrote 30 Bible study lessons, and groups of grandparents tested the lessons as I completed them. I submitted the manuscript on schedule, and nine months later, or about 18 months after I signed the contract, my book was released.

When the boxes of books arrived, my husband and I knelt beside them and dedicated them to God, asking Him to bless future generations through them. Then we took our grandkids to breakfast and celebrated with them. It seemed appropriate that during the time I wrote Preparing My Heart for Grandparenting, we also welcomed our fifth grandchild.

I thank God for His help from the beginning to the end and see this hands-on guidebook as a tool in His hands. I’m excited that it presents biblical wisdom, practical ideas, and stories and quotes from experienced grandparents. It affirms grandparents in their important role and encourages them to join their grandkids’ fan club. The book can be ordered through bookstores or online at Christianbook.com and amazon.com. For more information, visit my Web site: PreparingMyHeart.net.

After my children left home about twenty years ago, I prayed that my life would count for something more. Although initially I hesitated to write for publication, now I feel privileged to partner with God and touch lives through writing. I'm eager to offer God my loaves and fishes and watch him multiply them to feed thousands of readers. During this empty-nest, retirement, grandparenting season of life, God has honored my desire and surprised me with something more—writing for Him.

Lydia has kindly offered to donate a copy of her book to one of today's commenters. In the comments below simply answer the question: How did a grandparent impact your life? Or, if you're a grandparent, share a favorite grand-parenting memory or experience.
One week from today we'll draw from the names and announce the winner! You can use the social media gadget at the top of the post to share this article with your friends so they can enter too.

Dora Hiers Picked up by White Rose after Five Years  

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“Every story has its own path to travel….”
What road are you traveling?

Have you ever thought about the roads you’ve traveled? Bumpy, windy roads. Roads filled with potholes, forks, and turns. Up mountains. Through valleys. Quiet, country roads and bustling, noisy intersections. Have you considered how few roads are actually smooth? 

I’m not one of those writers who dreamed of putting words on paper from an early age. Writing wasn’t in my career path. If I had seen it coming, I probably would have made a u-turn and headed in the opposite direction. After all, I’d spent twelve years writing and editing audit reports. Painful, excruciatingly so. You see, I’m one of those perfectionists. You know the kind.
But, I have always wanted to read, loved to read. Had to have a book in my hands. Don’t you feel lost if you don’t have four or five books lined up ready to read? Me? I have sixteen ~ shhh, don’t tell my husband.

After I dropped out of the workforce to taxi my two sons around (and to make sure one of them actually attended school, he had a slight problem with that!), God planted the “writing” seed in my heart. “Me? Write? No way,” I scoffed. I was convinced I was wrong. God didn’t want me to do something that I didn’t enjoy, did He? Surely, I was mistaken. Talk about facing a mountain.

The writing seed dug in, took root around my heart with the idea for Journey’s End, which germinated from a newspaper article about a mobster, finally convicted for his crimes years later. God watered the seed until it grew into a manuscript, even fertilized it with a stack of rejection letters and dismal contest results. God helped me to focus on the positive comments. One manuscript grew into two. Then, three.

A dear friend from Carolina Christian Writers directed me to White Rose Publishing and on New Year’s Eve in 2010, five years after I started down this crazy writing road, White Rose Publishing offered me a contract for Journey’s End, my first heart racing, God-gracing book in the Marshals of Journey Creek series.  Can you think of a better way to end one year and to begin another? Who needs fireworks? Shortly after that, my second book, Journey’s Edge, finished second in the 2010 Unpublished Beacon Contest.

Wow! Thank you, God, for not giving up on me! For walking hand-in-hand with me on this crazy exciting journey and for filling my heart with joy!

What is your own journey like? Curvy? Full of potholes? Are you facing a mountain? Don’t give up! When you open the mailbox or email to a rejection, cry, rant, and stop writing for a while. Then, look at the rejection again with a fresh perspective. Pick out the constructive ideas on how to make your writing stronger and better and dig back in. Because the feeling is ever so sweet when you get that affirmative email or phone call…

Whatever road you’re on, my prayer is that God blesses your journey! Journey's End can be found at http://www.whiterosepublishing.com.

Journey to Riverbend by Henry McLaughlin  

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The story came to me as an image of a man standing on a ridge looking down on a small town. It triggered the question, why is he there? I wrote the first chapter in the mid-1990s. At that time, I didn’t have a clue what I was doing. (Some might say I still don’t). I dabbled in it more than I actually wrote. I estimate I wrote the first chapter fifteen times before getting serious about writing approximately six or seven years ago. When you’re a procrastinating perfectionist like me, dabbling is about as deep as I could go.
Then in 2002, I had a significant experience. I went in for heart surgery and received, for no extra charge, a double dose of complications on the side which nearly sent me to heaven. I didn’t have an out-of-body experience, probably because I was too medicated to realize it. When they finally moved me from ICU to a regular floor, the ICU nurse referred to me as their “miracle patient.” I am blessed with a praying wife, Linda, who wouldn’t quit and who wouldn’t let me quit either.
In late 2005, I found an ad for Christian Writers Guild in a magazine. If I was going to be serious about writing, I needed to do something significant, make a meaningful commitment of my time, open myself up to criticism. Over the next five years, I completed CWG’s Apprentice, Journeyman, and Craftsman courses.
In 2006, I attended my first writers’ conference, North Texas Christian Writers, near my home. I began attending a local writer’s group and opening myself to be critiqued.
The Father has blessed me in this experience by helping me to receive criticism without personalizing it, to develop a thick skin as Jerry Jenkins calls it. This is in itself another miracle.
2009 was the breakthrough year for me in many ways. I focused on rewriting my novel. I attended two fiction mentoring clinics with DiAnn Mills. I attended the Writing for the Soul conference, the North Texas Christian Writers conference, the ACFW conference and the Ridgecrest Writers Retreat. I was exposed to and inspired by excellent faculty who had a profound influence on me. People like Brandilyn Collins, Steven James, Angela Hunt, Doc Hensley, Mary DeMuth and many others. I dug into my local and on line critique groups.
Under the Lord’s direction, I entered my novel into a contest sponsored by the Christian Writers Guild and Tyndale House.
In early November,2009, I was informed I was one of 10 semifinalists for the award. Later in November, they announced the four finalists. I wasn’t among them but I was humbled and honored to make the semifinals.
In February 2010, I attended the writers conference sponsored by the Christian Writers Guild. On the first night, Jerry B. Jenkins started to announce the contest winner but first said a mistake was made: There were actually five finalists for the award, not four, and read my name. While I was still absorbing that information, he announced my book as the winner. The prize: $20,000 and a publishing contract with Tyndale House. God’s favor and grace opened the door for this to happen. My part was to obey His call to the best of my ability. God is faithful and blesses and rewards when we are faithful to His plan.
Once the contract was signed, we began the editing process. I worked with Tyndale staff under the leadership of Stephanie Broene and a free lance editor, Anne Christian Buchanan, Tyndale assigned to the project. The editing process was intense but it was a pleasure to work with professionals dedicated to having the book be the best it could be. The process was a learning experience in meeting deadlines, working as a team, and burying ego. I know it helped me develop as a professional writer and gave me lessons I will carry with me as I pursue this career.

Susan Page Davis on her Ladies Shooting Club Series  

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The Blacksmith’s Bravery—third and final book in my Ladies’ Shooting Club series—released November 1. I’m thrilled to see this one on the shelves and a little sad to be leaving the fictional town of Fergus, Idaho behind.
                When I first thought of this series, I wanted to write about a group of strong women who supported each other physically, emotionally, and spiritually. I wanted them to do something usually perceived as a man’s province. That wasn’t hard in the 1880s setting. My ladies wanted to learn to shoot.
                A murder in their town drew the women together out of fear at first. Widow Libby Adams, owner of the emporium, approached Gert Dooley, sister of the town’s gunsmith. She asked Gert to teach her to shoot her late husband’s pistol so that she could protect herself and her store. A rancher’s wife heard them shooting and asked if she could join them. Then the saloon owner, Bitsy Shepard, heard about it, and asked to tag along.
Gert and Libby were faced with some decisions. They could have said no and let it go at that, but they saw women who feared for their children and their own lives—women who had no men to protect them or who felt vulnerable when their men were off tending to their ranches or businesses. Some women were friendless and outcasts of society. Libby and Gert decided to welcome all women into their circle and to teach them all to shoot safely.
Their kindness and generosity brought them much more than they’d imagined. Women in the Shooting Club found friendships and wise counsel in addition to marksmanship.
Of course this upset the men in Fergus. They wanted their women at home in the kitchen, not out shooting up their stock of ammunition. In the first book, the club nearly tore the town apart. But by book 3, things have calmed down a little and most of the citizens have accepted the ladies’ newfound skill as an asset.
In keeping with the theme of the series, in the Blacksmith’s Bravery, saloon girl Vashti Edwards wants to take a further step into a man’s world. She wants to drive a stagecoach. Blacksmith Griffin Bane, who runs the stage line, wouldn’t consider himself intolerant. He just can’t imagine hiring a woman to drive stage. That’s plain crazy. He resists Vashti’s pleas to give her a chance, but finally allows her a toehold because of her shooting skill. She rides shotgun with an older, experienced driver on the Silver City run, and then gets him to teach her the fine points of handling a six-horse hitch.
When Vashti earns her spot on the driver’s box, a new problem arises. A gang of robbers has targeted the local stagecoach line. Once again, the Ladies’ Shooting Club is called upon to face down the outlaws.
I loved writing this series from start to finish. A research trip into the mountains of Idaho was a highlight. I learned so much—like how dangerous those mountain roads are, and how big crickets can get! The writing was spread over about a year for the three books. They stand alone, but as a trilogy they give the reader a full picture of life in this little mining town. The characters carry through from book to book, and you’ll see the romances blossom in fulfillment as you read on.
After the first book (The Sheriff’s Surrender) I received a few comments that the romance moved too slowly. I feel it’s realistic, and Gert and her sheriff do work through their issues and get to the altar in the second book. Her brother Hiram, the shy gunsmith, overcomes his extreme timidity with women and lets his feelings be known in The Gunsmith’s Gallantry. Again you see the fruition of this romance in the next book, while Vashti and Griffin are beginning theirs. I believe I married off four couples in this series, and hinted at a future for another pair. This is historical romance with a dash of mystery and suspense, and a spoonful of growing faith. But it’s not “passion at first sight.” Most of my romantic pairs in the series have known each other for years before acting on their attraction. But their relationships are as solid as the mountains they live in.
If you’d like to read more about this series and my other books, come visit me at www.susanpagedavis.com. Every month I give away a few books there (use the “Enter the Contest” form—I won’t use your address for anything else). I’d love to see you there. Right now I’m working on a new Prairie series about an Englishwoman who goes west to find her uncle. Look for the Prairie Dreams series next fall.
Susan Page Davis


Susan will give one copy of The Blacksmith's Bravery to a commenter on this post. Of all her books, tell Susan which one was your favorite and why. If you haven't read any of her books, that's okay, comment on why you would like to win this one. The drawing will be held on Monday the 22nd. Please be sure to include your email address if it isn't available in your profile.

An Inside Glimpse at the Writing of The Preacher’s Bride  

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The Very Beginning: 
One day as I was reading a biography about John Bunyan, I ran across a reference to his second wife, Elizabeth. I loved the brave way she defended John during one of his trials when he was under arrest for his “unlicensed” preaching.

Elizabeth’s strength to face a court of persecutors and her determination to faithfully support her husband touched me so deeply, I decided her little-known story needed to be told to the world.

The Research & Planning Phase: 
I spent about 6 weeks reading biographies and any other time-period books I could find. I sifted through plot ideas, wanting to stick as closely to the facts as possible but also knowing I would need to dramatize the story to bring it to life.

A large part of my planning involves the process of getting to know my characters. I use an extensive character worksheet (available on my blog for free). I tried to use what history knows about the real characters, but then fill in the rest and make them larger than life.

The Writing: 
I started writing The Preacher’s Bride in September 2007 and finished in May2008—so altogether it took me nine months, writing mostly in the evenings after the kids were in bed and occasionally in the afternoons or on weekends. (Since then, I’ve been able to work out a writing schedule that allows me more regular time.)

The Editing: 
I spent a summer self-editing the book, and eventually I hired a freelance editor to read through it. Her suggestions helped me polish my first chapter so that I was able to final in the ACFW Genesis contest in May of 2009.

The Querying Stage: 
During the months before I finaled in the contest, I had started querying The Preacher’s Bride to agents. I received rejections from all of them except one—Rachelle Gardner. She requested a full manuscript within days of the query, but then my book sat in her slush pile for months.

My contest final perked her attention and not long after that she offered me representation.

The Proposal Shopping Phase: 
Rachelle immediately went to work shopping my book. She pitched the idea to a Bethany House acquisitions editor at a conference she was attending. When she got home, she called me, told me Bethany House was interested, and we got busy writing a proposal to send to them.

We talked back and forth with Bethany House for two to three months before we finally settled upon a 3 book contract. They bought The Preacher’s Bride and also asked me to write two additional books, which I’m currently working on.

Where I’m at now: 
The Preacher’s Bride is currently available for order on Amazon.com, Christianbook.com, and other internet sites. It’s also for sale in most bookstores.

You can connect with me in LOTS of ways. Please stop by and say hi!

Website: JodyHedlund.com
Email: jodyhedlund@jodyhedlund.com
Blog: jodyhedlund.blogspot.com 
Facebook: http://www.facebook.com/AuthorJodyHedlund
Twitter: http://twitter.com/JodyHedlund

Question For Readers:
Did anything about the start-to-finish writing journey of my book surprise you? If you’d like to sign up to win a free copy of The Preacher’s Bride, please tell us your favorite candy bar (because don’t you know, a writer’s favorite food is always chocolate?!) And don’t forget to leave your email address. The drawing will be held on Monday the 4th of October, 2010.

Bio: Jody Hedlund is a debut historical romance novelist who was a double finalist in the 2009 ACFW Genesis Contest. She received a bachelor’s degree from Taylor University and a master’s from the University of Wisconsin, both in Social Work. Currently she makes her home in Midland, Michigan, with her husband and five busy children.

Lionel Alford Talks About His Book Centurion  

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I was always intrigued by the statement of the centurion at the foot of the cross: “Surely this man was the son of God.” Perhaps my interest was because I served in the military and felt that my life was something like that centurion’s. In any case, I always wanted to know more about this military man and his statement. When I read Wallace’s book, Ben Hur and Douglas’s The Robe, I was left with more questions than answers. I wanted to delve deeply into the centurion’s life and know exactly who he was.

I began research into the centurion in the 1990s. Already, I knew his name. In Christian legend, it is Abenadar. He was said to be a man of mixed Roman blood. In early 1995, I wrote a short story about Abenadar. The main character was the woman who lived with him and the setting was their house following the crucifixion. Already I had begun to flesh out Abenadar. I made him a man of mixed lineage: Roman and Jew—otherwise Pilate would not have given the job of the crucifixion to him. He had to speak the languages of the people—again, otherwise Pilate wouldn’t have trusted him with the job. The woman who lived with him had to have been a woman of the streets—no other woman, other than a slave, would be able to associate with a Roman of mixed blood. He had to be competent. He had to be divided somewhat in his mind, but not his loyalties. The picture of Abenadar began to build. The picture of the woman he lived with began to come into focus. In the short story, I made both of them rougher than they ended up eventually, but that story was where the novel began.

I started writing the novel, Centurion, while I was flying in Europe in 1995. The first few chapters flowed. When you write a book about the life of a man, you need to start with his beginning, and the beginning of the centurion’s life was fundamental to his character. To be a member of a Roman Legion, he had to have a Roman father. To know the languages of the people, he needed to have a Jewish mother. Since the Romans, at the time, were attached to Herod the Great’s court in Jerusalem and there was a connection with Tiberius in Galilee, it was easy to build the character of both the centurion’s mother and father. She became a local bride to the Roman ambassador. Her home town was one of the largest in Galilee, Nazareth. From that, it wasn’t difficult to construct a possible interaction between Mary, the mother of Jesus and the mother of Abenadar.

The next step was the most difficult for me. I had to build the entire life of Abenadar. I chose to begin with his great step into the Legion. That was the real beginning of Abenadar as a military man. Years of research was poured lovingly into this portion of the book. It was a necessary and fulfilling step to build up the man who was to become the centurion at the foot of the cross. In the novel, the history about the Legions and about training, promotions, leadership, and structure is exact and exciting. At the same time, I laid the foundation for his loss of faith and his return to faith. He was, after all, a Jewish man in the Roman Legion.

Abenadar moved up the ranks to finally reach the position from which he would be called to play his greatest role in history. He wasn’t a man divided. He wasn’t incompetent. He wasn’t weak or foolish. He was one of Pilate’s favorites and yet a man of mixed lineage. I had not given up on his wife, or rather the woman who lived with him. The why of her existence was coupled with his. It had to intertwine. She had to be Jewish too, but able to live with a Roman Centurion. She had to be a woman of the streets. I chose to make her a woman who desired nothing but a home and stability. She had not lost her innocence in spite of her forced harlotry. She became a much less rough character than I first envisioned. She became the Centurion’s link to Jesus the prophet, the man he must eventually crucify.

So, in a nutshell, there is a part of the journey I made to write Centurion. It took a while and it was difficult, but when the manuscript was finished, it was whole and the men and women in it were whole. It let me understand just who was this man, Abenadar, the man who crucified Christ and who stated “This man was surely the son of God.”

How did Centurion finally get published? The job of finding a publisher was as difficult as the work of writing itself. Centurion was my sixth completed novel and the eighth I started. That means I had the experience of writing eight novels before I started looking for a publisher for Centurion. I started with Christian press and eventually sent it to a Christian reading service that supplied suggestions to Christian publishers. I received two offers to publish from that one input. Unfortunately, my email was toasted and I don’t have the records from back then, but Oaktara (Capstone at the time) made me a great offer and took my other novels into consideration. I never expected an inspirational press to want to publish any of my novels but Centurion. The novel was published by Oaktara in January 2008 after about a year from contract. Four of my other novels were published by Oaktara after that.

L. D. Alford is a novelist whose writing explores with originality those cultures and societies we think we already know. His writing distinctively develops the connections between present events and history—he combines them with threads of reality that bring the past alive. L. D. Alford is familiar with technology and cultures—he is widely traveled and earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from The University of Dayton, and is a graduate of Air War College, Air Command and Staff College, and the USAF Test Pilot School. L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality. He is the author of three historical fiction novels: Centurion, Aegypt, and The Second Mission, and three science fiction novels: The End of Honor, The Fox’s Honor, and A Season of Honor.

Linda Windsor Claims She Failed Her Way into Being Published.  

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Often when I’m asked about how I got published or how I managed to get twenty-nine books to date in print, I laughingly tell the inquirer that I failed my way to where I am today. That someday, if I ever do a keynote speech, I Failed My Way to Success will be the title. I guess I’ve just been too stubborn—or too stupid—to give up.

I wrote my first romance on a cast iron Royola typewriter with my three and five year old toddling around me back in the seventies. I did everything wrong. I sent it off on erasable paper—smudge city—with hand corrected typos and received an interesting offer from a well-known literary agency. For $350, they would read the manuscript and consider handling it. So for $350 very hard-earned dollars, I received a six page letter. Three pages were glowing with my ability to tell a story. The other three were scathing commentaries on my writing and the romance genre in general for not being literary.

My first advice? Beware of any agent who charges to read your material unless they are hired specifically to edit it. I was told that even if someone were to publish the book, not to come back to said agency because some publishers would print anything. Ouch!

So I sent it to another well-known agency. All ten pounds of it. I’d never heard of queries. In fact, I got this one’s name from the back of a book I’d read and liked. I hadn’t even heard of the Writer’s Market!

This man’s offer and commentary were far more civil and encouraging...and free. First, I was told that if I condensed the first three chapters into one, they would consider marketing it. I was also told that my writing reminded the agent of “wearing a Dior original to a dinner party…with gravy stains on it.” Yikes! I had a Dior original. Gravy stains could come out! Unfortunately, my marriage ended that year and I began life as a single working mom. The two books I’d written went into the attic and would remain in storage for around 15 years.

I’d tossed them in the garbage when my new husband and I were moved into our home, but he found them and asked to read one. It was that dear man who told me, “Hey, this is pretty good and I don’t even read this stuff.” He encouraged me to try again. So I did. And totally rewrote both books, researching deeper and improving them immensely. Thank goodness they hadn’t been published as they were.

So, my very first book came out in 1990 with Zebra Books titled Pirate’s Wild Embrace. (I did not pick the title.) It was released exactly 13 months after the same publisher had rejected it, not a word changed. But the second time it was submitted after my purchasing a Writer’s Market and shot-gunning queries to ten agents and ten publishers, it was by an agent who’d responded to my literary barrage. Zebra had a slot and my completed manuscript filled it. I went on to do another fourteen historicals for Zebra/Kensington and a contemporary for Kismet Romances. I guess one could say they slammed the door on my foot, but I didn’t take my foot from the door.

It was only after I’d sold five books that I discovered there were organizations like Romance Writers of America that would have been so helpful earlier on in knowing the business side of writing. So I learned most of what I’d done wrong after the fact and discovered there was a method to my writing madness by joining writers’ organizations. I also greatly improved my craft through this association.

I could go on and on about the rejections that turned into published books…when the time was right. Every manuscript I’ve ever written has been published, but not when I first wrote it. What can I say? The ideas were good, but it wasn’t their time or my writing level wasn’t right yet. I say this to encourage those of you who hide old manuscripts under the bed not to give up on them.

I failed my way into the inspirational market as well. I didn’t want to write inspirational romance because I’d read a few mediocre ones and judged the genre by the few. But I was four years without a contract from Zebra during the major publisher consolidations of the nineties. And here is an interesting tidbit. Even though authors were getting contracts cancelled and books returned, God saw that I had a book come out every one of those dry years. I’d written so many ahead and Zebra published them all. He even made certain I received wonderful rejection letters about how this project wasn’t what they wanted, but please send something else. In hindsight, He was failing me into the inspirational market. I’d exhausted my secular avenues and that was the only door open.

I went through it kicking and screaming like Jonah going to Ninevah. I’d been happy where I was, successful even…if I didn’t count four years on hold with no contract. Besides, those Christian characters didn’t have hormones! And I wasn’t holy enough to write Christian fiction. I was still a relatively new Christian—actually a returned one from a college/twenty-something period where I’d been educated beyond my spiritual intelligence. Finally I agreed to try. Told God I’d take Hi Honey I’m Home, written for Harlequin American, clean it up and do the best I could, but the spiritual part was up to Him. And please, God, don’t make it preachy.

I have to tell you, as the spiritual parts “came” to me, I found myself crying, deeply moved by what God was doing through me, a total screw-up. When I sent it off with a prayer at the post office, I felt for the first time that maybe God and I were on the same page after all. Maybe He could use me, ex-sexy historical author and baby Christian. And He could use my characters, even if they had hormones.

The book was rejected by Steeple Hill. Hindsight gave me the reason. God knew I still had a foot in the secular door, if I stayed with Harlequin. He knew my weakness. Instead, Hi Honey I’m Home was picked up by Multnomah Publishers as the launch book for their new mass market line. It made the bestseller list for a couple of weeks. But it was the fan letters that bowled me over the most. Yes, this character was still hot, but in addition, that character’s struggle touched someone’s life. A pastor’s wife vowed to renew her efforts to make her marriage work on seeing how hard the hero worked for his family, even though it took him away from them. Another person told me the theme in Not Exactly Eden of rejection and being surrounded, but not despairing had lifted her, a missionary’s daughter whose husband had abandoned her after she was handicapped out of depression. She would not despair.

The books went on and on. My historical Irish series, Fires of Gleannmara, won numerous awards including a Christy, but it didn’t sell well. And I was without a publisher. Yet, the research for that series and for the one beginning with this month’s release HEALER, Book one of the Brides of Alba series, helped me effectively witness to my daughter. She’d been stalked and assaulted in college, abandoned God in anger, and turned to Wicca-white witchcraft. That process, like my career, was not an overnight success, but five or so years later, she came back to Christ on Mother’s Day, one I will never forget.

And I developed a passion for reaching out to New Age believers using the history of the early church and of druidism’s acceptance of it in Ireland to make an effective case for Christ. I call it fishing from the other side of the boat. When they won’t hear Scripture, use history and science to back up Scripture. It got my little girl back in the boat and I have sold my Gleannmara books to admitted Wiccans and New Agers at medieval fairs as a result. What a joy it has been to establish what we have in common and build on it toward Christ.

Today I found out RIONA, the second book of that series will not be re-released. Again, poor sales of that line led to the decision. How does one explain pages of awards, but poor sales? That has been my story with several publishers. Great reviews. Wonderful awards, but sorry, they just didn’t sell as well as we’d hoped.

Yet, I am here to tell you that each time one door closed, God opened another that somehow was even better than the previous one. He keeps moving me from one failure to the next. Actually, the last time it happened, I told my agent I couldn’t wait to see what God had in store.

So now I have HEALER, a book of my heart. The proposal was another one of those secular historicals that morphed over ten years in the back of my mind into a moving inspirational saga set in Arthurian Scotland. HEALER is book one of the Brides of Alba trilogy, Alba being an early name for Scotland. And this is Arthurian Scotland—and King Arthur, for that matter—as never seen before.

The series focuses on three brothers, their respective brides, and how love and faith grow to enable them to survive those trying times of the Saxon invasion and the church's desperate measures to ensure the survival of Christianity. These measures include matchmaking men and women from the Davidic bloodline passed on by royal Irish and the apostolic bloodlines established in Britain by the first century family and followers of Christ. The historic Arthur in HEALER, one of at least two arthurs (a title) and definitely the last one, is a product of such matchmaking. So is the merlin (another title) Merlin Emrys, who in this case is a documented Celtic Christian bishop and druidic scientist. In fact most of the Arthurian figures were bred and raised by the Grail Church to become warriors, kings and queens of Britain to ensure the Grail Church's survival. Brenna and Ronan's conflict is a result of that matchmaking gone wrong.

Forced to live most of her twenty years in hiding from both her own clan and the clan who murdered her family, Brenna of Gowys wonders how she can possibly fulfill her mother’s prophecy that the Gowys seed will divide the enemy O’Byrne’s house and bring about a peace beyond his wicked ken. Brenna’s clan remnant would have her lead them to certain death against the stronger O’Byrnes. But Brenna is a healer, not a warrior. Nor is she the shape-changing wolf-woman of the hills as she’s rumored to be by the superstitious clans; although she does have a gift with wild animals, including her pet wolf Faol.

So when Brenna witnesses the ambush and attempted murder of a warrior during the annual O’Byrne hunt to find the wolf-woman, she does what she’s called to do. She brings him into her mountain hideaway to heal him, even if he could be her enemy. All she knows is that he is not just wounded in body, but in spirit; that he’d been there as a frightened child when her family had been slain; and that she has seen a future with him. But is her faith strong enough to follow the vision, no matter where it leads?

Please stop by my website at www.LindaWindsor.com and check out HEALER and sign up for my contest to give away a signed copy. It’s my first book trailer and I am over the moon with it and the cover. It so captures the essence of HEALER, my twenty-ninth book. Wow. I can’t believe it’s been twenty years since my mother gasped, “Linda, they put your real name on the cover!” of Pirate’s Wild Embrace. She just knew I’d get kicked off the church choir. Fortunately, my fellow Christians were full of grace toward this baby one.



I hope that the writers among you will be encouraged by the “failures” I’ve mentioned. I’ve often said that rejections are like footprints on the sand. If you don’t see them, you haven’t been moving at all toward your dream.

Basking in His love,
Linda Windsor



Laura Frantz Tells How Writer's Edge Helped Her Get a Contract  

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Thanks so much for hosting me today, Lynnette! It’s a joy and privilege to talk about my writing journey though to be honest, I’m still pinching myself. It all began in my childhood when I used to hang around the library and read all those little bios of historical figures. Being a Kentuckian, I was very enamored with Daniel Boone as my ancestors followed him into the area in the late 18th-century. Kentucky history forms the basis for my first 3 historical romance novels – The Frontiersman’s Daughter, Courting Morrow Little, and The Colonel’s Lady.

I’ve been writing stories since age 7, all historical, as that’s my passion. I wrote a novella at age 12 and then the sequel to Gone With the Wind in high school, then Dances With Wolves II and an English mystery, among other things. All of them were just terrible - with a capital T! It only took 40 years for me to take my scribbling to a publishing contractJ. It’s truly a miracle that I am published. I had no computer skills and no computer until the last few years (always wrote manuscripts out longhand), no writing friends, no agent, no writing conferences or connections, no critique partner, was unaware of the writing community blogging, etc. To complicate matters, I was teaching fulltime and married and had my children late, beginning at age 35. After the birth of my second son, I felt the Lord telling me to put my writing aside so I did for 5 years. None of this was conducive to publication, let me tell you. I felt farther from my dream than ever before.

In 2007, after feeling free to write again, I finished The Frontiersman’s Daughter which I had worked on over a ten year period. My grandmother, parents, and brother gifted me with a manuscript evaluation/critique with a wonderful freelance editor, Arlene Robinson. She suggested I tweak a few things and then put her stamp of approval on the manuscript. At the same time, I submitted several chapters to Writer’s Edge, a Christian manuscript submission service, which brings unagented writers and publishers together. Almost immediately I was contacted by several CBA publishers, large and small. Within six months, my dream editor and publisher, Revell/Baker Publishing Group, asked for a full of The Frontiersman’s Daughter. Later I realize how rare this kind of an opportunity is. I’ve heard that only Kristen Heitzmann and I have been picked up through Writer’s Edge.

I’d already begun working on Courting Morrow Little when Revell offered me a 3 book contract. I’d hoped to simply sell one novel so was astonished when they asked for two more. I’d recently finished the sequel to The Frontiersman’s Daughter, which was set in Scotland, but my publisher wanted me to stay on the frontier. I was thrilled to oblige and am now finishing The Colonel’s Lady which is due August 1st.

I think, deep down, that the Lord gifted me to write from an early age. There’s no doubt that He opened the door when the time to publish came about (His timing, not mine). Circumstances were definitely not in my favor. The only things that kept me in the game was a love for writing and the knowledge/belief that if I was ever to be published, He would have to handle all the details. And He did. I’m truly living proof that you don’t need any superfluous writing stuff to get in the door. If publishing is His plan for you, all you really need is Him – and the book of your heart.

I do think being a part of the writing community is very valuable. Last year I joined ACFW and attended their annual conference in Denver. Wow! However, if the Lord had allowed me to become involved in the writing community and see the level of competition and the difficulty of becoming a part of the CBA prior to publication, I think I would have quit. In His mercy and grace He withheld the very things I longed for for my benefit in the long run. I would have always written for myself, of course, for the joy of writing, but I would not have attempted to become a published author. He knew this, of course, and planned accordinglyJ. He is a very wise and personal God.

Trust in the Lord with all your heart and do not lean on your own understanding. In all your ways acknowledge Him, and He will make your paths straight. ~Proverbs 3:5-6

I’d love to have readers visit me at laurafrantz.net!

Journey to the Seasons of the Tallgrass by Deborah Vogts  

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In April 2008, I received “the phone call” from my agent, Rachelle Gardner, that Zondervan had made an offer on the Seasons of the Tallgrass, a contemporary romance series set in the Flint Hills of Kansas—a place I dearly love. My long-held dream had finally arrived—my prayers had been answered. But the story didn’t begin there…it began many years ago when I attended Emporia State University and took a summer course called Flint Hills Folklore.

Along with classroom study, we took field trips into the heart of the Flint Hills and visited with old-time ranchers, schoolmarms and post-mistresses. It was such a delightful experience, especially our drives into the pastures. We would get on these back roads and drive over pasture guards into the open range. We would travel for miles without seeing another car or even an electric line—just pure, native prairie. That summer, I fell in love with the Flint Hills and it has stayed with me all this time, finally culminating in the contemporary romance series, the Seasons of the Tallgrass.

My first book, Snow Melts in Spring, begins when a horse is terribly injured. Right off, I had to know technical terminology and had to create a scene that was accurate and believable. To get it right, I contacted a handful of veterinarians, asked them a bunch of detailed questions all the way down to possible accident scenarios, which would create the type of injuries required for the story. I even shadowed one small animal vet for a day in order to get a feel for what a "day in the life" might look like for my character who was also a vet.

My hero in this book is an NFL quarterback, so I also had to know something about football. For this research, I went to the children's section of the library and checked out an armload of books. I also watched a lot of football games on television and asked my football-loving friends and family hundreds of questions--all so I could write two or three scenes with authenticity.

On one of my many road trips into the Flint Hills, my husband and I stayed at the Clover Cliff Ranch, a Bed & Breakfast owned by Jim & Joan Donahue. This place became the basis for the McCray's Lightning M Ranch.

For Seeds of Summer, which released the end of May, I learned about the Miss Rodeo America competition because my main character, Natalie Adams is a former Miss Rodeo Kansas and first runner up Miss Rodeo America. My research for this story included visiting with those at the Miss Rodeo America headquarters, as well as interviewing and questioning the current MRA at that time, Miss Amy Wilson, Miss Rodeo America 2008.

The highlight of this research occurred when I met and visited Amy at her home in Colby, KS. Amy was a joy to work with and is such a lovely person. My visit to her home was an unexpected blessing, as she shared some special moments from her time as Miss Rodeo Kansas and then as Miss Rodeo America.

I learned that Miss Rodeo America has a host of sponsors who shower their queen with lovely gifts, some of which include: a wardrobe of Wrangler Jeans, Justin Boots, Bailey Hats, fully tooled Court’s Saddle with custom Miss Rodeo America conchos and an official Miss Rodeo America trophy buckle from Montana Silversmiths. Accompanying the perpetual Miss Rodeo America tiara made by Landstrom’s Original Black Hills Gold Creations, Amy was given a wardrobe of matching jewelry. These items, along with other prizes were presented to her throughout her reign. To see some pictures of these items, please visit my blog post HERE: http://deborahvogts.blogspot.com/2009/07/visit-with-miss-rodeo-america-2008-amy.html

Seeds of Summer Book Blurb: When opposites attract, sparks fly--like an electrical malfunction. That's what happens when former rodeo queen Natalie Adams meets the new pastor in Diamond Falls. A heart-warming contemporary romance set in the Flint Hills of Kansas where a former rodeo queen abandons her dreams in order to care for her deceased father’s ranch and her two half-siblings, only to realize with the help of a young new pastor that God can turn even the most dire circumstances into seeds of hope. Spanning the Seasons of the Tallgrass, each story in this series reveals the struggle of the people who live there and the dreams they have for the land until they come full-circle in a never-ending cycle, just as man comes full-circle in his understanding of God.

Author Bio: Deborah Vogts and her husband have three daughters and make their home in Southeast Kansas where they raise and train American Quarter Horses. As a student at Emporia State University studying English and journalism, Deborah developed a love for the Flint Hills that has never faded. In writing this series, she hopes to share her passion for one of the last tallgrass prairie regions in the world, showing that God’s great beauty rests on the prairie and in the hearts of those who live there.
Visit Deborah at her web site: http://deborahvogts.com
Or her Country at Heart blog: http://deborahvogts.blogspot.com 

Carla Stewart Shares How She Received Over 40 Rejections Before Chasing Lilacs Was Picked Up!  

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A two-time ACFW Genesis winner, Carla Stewart is a Guideposts Writers Workshop alumna and has been published in Guideposts, Angels on Earth, and several regional magazines and anthologies. Her debut novel, Chasing Lilacs, releases in June 2010 with FaithWords. Carla enjoys a good cup of coffee, weekend getaways with her husband, and the antics of their six grandchildren.


Hi there,
My name is Carla Stewart. Thanks for allowing me to share a little about my writing journey and to introduce you to my first book, Chasing Lilacs.

Like most writers, the first book I wrote didn’t get published, although I had a lot of fun writing it because I was blissfully ignorant of things like too much description and starting with back story. I marched off to a conference and by some quirkly turn of events, an editor requested the full. He pointed out some of the major flaws, but ended with these words: “You have an engaging voice.” That bit of encouragement was all I needed. I concentrated on learning the craft and building a writing resume by entering contests and writing magazine articles and finding publication in anthologies. This, too, was fun, but I longed to write the novel of my heart.

The idea for Chasing Lilacs sprang from childhood curiosity—the occasional whisper of someone who’d had a nervous breakdown or shock treatments. Not only were these taboo topics for conversation in the 1950s, I later learned that the ailments themselves were often misunderstood and not always treated properly. As a writer, I wanted to explore what it might have been like for an adolescent girl from that era to have a mother with these problems.

The setting is similar to the one where I grew up in the Texas Panhandle: a close knit petroleum camp where neighbors helped one another and kept an eye on everyone’s kids. It was a more carefree time, almost magical, and I hope I’ve portrayed some of that feeling—Elvis on the radio, poodle hair cuts, endless hot summers, Grapette in a bottle.  

I began the story in 2004 and had only written a few chapters when I joined a critique group. They loved the story and helped me with so many things—writing craft, finding the heart of the story. Once I had a solid start, I entered two regional contests and received  second place awards in both of them. At this point, the novel wasn’t finished, but over a long summer, I did get it completed and began querying agents as this was the route I felt God was telling me to take. Six months later I had more than forty rejections and wondered if I would ever be published. 

About that time I heard about ACFW and joined my local group. I decided I would give my story one more try by having a paid critique at the 2006 conference. This was a turning point, but I still had much work to do. An agent from that conference requested a proposal and told me I wasn’t ready for prime time, but that my writing held promise. He advised me to hire a free-lance editor to read my complete  manuscript. I asked for a completely honest, brutal edit. By now, I knew if I was ever going to make it, I had to know the truth about my writing and my story. Boy did she deliver!

It took about three months to rewrite the story, which I entered in the Genesis contest in 2007 and was shocked when I won the Historical Fiction category. I resubmitted to the agent—Chip MacGregor—who passed it on to his new agent at MacGregor Literary—Sandra Bishop. I became one of her first clients, and after helping me polish the proposal, she sold the manuscript to FaithWords seven months later.

Now SIX years after I began writing Chasing Lilacs, I’m holding my debut book in my hands. Looking back, I see that timing was everything. My writing needed improvement. I didn’t have a platform, a website, or networking skills. I heard things like “Stories with a child narrator are a hard sell”, “We are only looking at contemporary manuscripts”, etc. We all know that the market shifts. Now historical fiction is all the rage and many books today feature teen protagonists. And hopefully, I’ve matured as a writer.

Timing, perseverance, heeding the advice of professionals, and prayer have all played a part in my publishing journey, and it’s such a thrill . . . and a privilege to be a writer.

Thank you so much, Lynnette for having me here. I’m always excited when I can connect with other book lovers. 

You can find me here:
Blog: Carla’s Writing Café (http://www.carlastewart.blogspot.com/ )

Chasing Lilacs is available online and wherever books are sold.

CHASING LILACS (FaithWords, June, 2010)

It’s the summer of 1958, and life in the small Texas community of Graham Camp should be simple and carefree. But not for Sammie Tucker. Sammie has plenty of questions about her mother’s “nerve” problems. About shock treatments. About whether her mother loves her.
As her life careens out of control, Sammie has to choose who to trust with her deepest fears: Her best friend who has an opinion about everything, the mysterious boy from California whose own troubles plague him, or her round-faced neighbor with gentle advice and strong shoulders to cry on. Then there’s the elderly widower who seems nice but has his own dark past.
Trusting is one thing, but accepting the truth may be the hardest thing Sammie has ever done.

A remarkable debut novel. Carla Stewart cleverly captures the stark simplicity of a young girl’s voice with all the masterful qualities of powerful prose. Unforgettable.”
—Susan Meissner, author of The Shape of Mercy


“CHASING LILACS is the kind of coming of age story that sticks to you beyond the last page. Unforgettable characters, surprising plot twists, and a setting so southern you’ll fall in love with Texas. Carla Stewart is a new talent to watch!”
Mary E. DeMuth, author of Daisy Chain and A Slow Burn